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Half Man is a breathless, brutal drama that puts the fear of Gadd into you

BBC Culture 2 переглядів 4 хв читання
Half Man is a breathless, brutal drama that puts the fear of Gadd into you1 hour agoShareSaveAdd as preferred on GooglePete AllisonCulture reporter
BBC/Mam Tor Productions/HBO/Sebastian Nevols Jamie Bell and Richard Gadd in character as Niall and Ruben in Half Man. Their foreheads are touching, their facial expressions are stern and their arms are raised to each other's necks, with their fists clenched.BBC/Mam Tor Productions/HBO/Sebastian Nevols
BBC One drama Half Man was created and written by Richard Gadd (R), who plays its lead, Ruben, opposite Jamie Bell (L), who plays Niall

If Ruben Pallister - the ferocious lead in BBC One drama Half Man - was in a room with any of TV's most brutal creations, you'd back him to leave it alive.

The adult version of Ruben is played by series creator and writer Richard Gadd, who had his TV breakthrough with Netflix hit Baby Reindeer.

At times Half Man is a searing hot take on masculinity - but there is far more in Gadd's smelting pot here.

Its release comes a year after Adolescence, which posed questions about why teenager Jamie Miller became a killer, leading viewers - and Prime Minister Sir Keir Starmer - to question the influence of the corrosive impact of social media and misogynist influencers, on some teenage boys.

Earlier this year, Louis Theroux's Inside the Manosphere documentary offered a glimpse at what content creators are like away from young men's algorithms.

But Half Man starts long before smartphones and streaming, while the questions it poses are broader, with a focus on fear.

This article includes discussion of Half Man but does not contain major spoilers.

BBC/Mam Tor Productions/Anne Binckebanck Stuart Campbell is in character as Young Ruben. He is straight-faced and stern, watching something in the distance, with a brown and black coat pulled up around his neck.BBC/Mam Tor Productions/Anne Binckebanck
The younger version of Ruben is played by Stuart Campbell

For Ruben, his rage bubbles and boils over into wild acts of violence - an anger too hot for authorities to handle.

Half Man waits to spell out precisely what Ruben experienced as a child, but plenty of dots can be joined as the story swings back and forth through time.

His father is a swaying shape, yelling slurs into shadows from beneath his son's bedroom window.

His mother doesn't acknowledge that Ruben is a loose cannon loaded with vast quantities of gunpowder.

And so he continues bursting his way through life as both an unstoppable force and an immovable object.

Almost everyone around him is too fearful to intervene. Even in his more civil moments, Ruben's handshakes grind knuckles and his hugs squeeze air from anyone in his grip.

He expresses his masculinity by defaulting to violence with a horrifying, flawed policy that "real men” treat women with contempt and solve problems with a switchblade.

Fear might have lit Ruben's touchpaper, but now everyone is standing too far back to stamp it out.

The horror is how increasingly familiar that feels generations after his formative years.

BBC/Mam Tor Productions/Anne Binckebanck Mitchell Robertson in character as Young Niall. He looks fearful and nervous, stood alone in a bar. He is wearing a navy tracksuit top with a red and white striped t-shirt underneath. A gambling machine is visible behind him, as is the wooden-cladded interior of the bar.BBC/Mam Tor Productions/Anne Binckebanck
Mitchell Robertson plays a younger Niall, while Jamie Bell stars as the man the troubled student becomes

In this blended, blighted family, fear has a different hold on Niall, played as an adolescent by Mitchell Robertson.

In the 1980s, Niall's path is set on a lifelong collision course with Ruben, his "brother from another lover", brought to life in his younger years by Stuart Campbell.

It's a decade in which homophobia has taken a seat at many families' dinner tables.

As Niall's gaze lingers on a poster of shirtless men and his nerves skyrocket in the company of girls, he may still be under an illusion - but we aren't.

The Aids crisis is devastatingly rampant and Scotland is having its own, distinct grapple with it.

No good comes from Niall being in the closet, but he's convinced far worse would come from stepping out of it.

The journey that fear takes him on isn't a slow-motion car crash, it's a full-throttle run of joyless rides.

No one is safe from being collateral damage by the time Jamie Bell plays Niall later in life.

Time passes and society shifts, but Niall either can't see others' fear, or he's too consumed by his own to care.

BBC/Mam Tor Productions/Anne Binckebanck Richard Gadd in character as Ruben Pallister. He is shirtless, with tattoos on his arm, chest and shoulder blade. He is wearing a gold necklace. Planks of wood lean against the exposed brick of a barn, as sunlight leaks through the gaps in a boarded-up window.BBC/Mam Tor Productions/Anne Binckebanck
Half Man's story swings back and forth through time, teasing a crescendo that sees Gadd's Ruben (pictured) descend on Niall's wedding day

Half Man fires its warning shot early: strap in, this is going to be rough.

The clatter of cutlery as an atmosphere sours over dinner. The clenching of a fist that precedes a bloodbath. The signs you learn to spot that Ruben's rage is about to ignite.

Warning lights are flashing to suggest Gadd should brace for impact as his latest story is told, as are early positive reviews.

Half Man's subject matter is consistently, exhaustingly heavy and will test many people's tolerance for on-screen violence.

But its compelling story and exceptional cast grip like a vice, with Gadd offering a fearsome false platitude from the start.

It's something Ruben menacingly tells his terrified targets.

"Don't worry. It'll be over soon."

Half Man is available on BBC iPlayer on Friday 24 April. It will air on BBC One in the UK and on HBO in the US.

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